{"id":14596,"date":"2022-12-10T16:16:52","date_gmt":"2022-12-10T14:16:52","guid":{"rendered":"https:\/\/olympiafestival.gr\/?p=14596"},"modified":"2023-01-09T12:26:19","modified_gmt":"2023-01-09T10:26:19","slug":"awards2022","status":"publish","type":"post","link":"https:\/\/olympiafestival.gr\/en\/2022\/awards2022\/","title":{"rendered":"The awards of our 25th edition"},"content":{"rendered":"

INTERNATIONAL JURIES<\/strong><\/h4>\n\n\n\n
FEATURE FILM JURY<\/h5>\n\n\n\n

Rationale<\/strong><\/p>\n\n\n\n

The 25th Olympia International Film Festival for Children and Young People had us travel in a rich world of film enjoyment, reflection and emotion. We watched many films from different areas of this planet, with various subjects that present today's world.
The 12 feature films of this year's selection talk about the main issues of our times with subtlety and honesty. The social inequality and the harshness of authority still are not addressed and they crush people. People are pushed to abandond their homes, their families and their places.
Accidents and maladies are an allegory for a suffering world. Even love is hidden in the background and is not offered as a resolution. However, children and youth try to find their way and dream even through soccer, music and cinema. The only resilient thing, after all, is the relationships and bonds among us people.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u039a\u0391\u039b\u03a5\u03a4\u0395\u03a1\u0397\u03a3 \u03a4\u0391\u0399\u039d\u0399\u0391\u03a3 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST FEATURE FILM<\/strong><\/p>\n\n\n\n

\u0397 \u03a4\u03c1\u03b1\u03b2\u03b9\u03ac\u03c4\u03b1, \u03c4\u03b1 \u03b1\u03b4\u03ad\u03c1\u03c6\u03b9\u03b1 \u03bc\u03bf\u03c5 \u03ba\u03b9 \u03b5\u03b3\u03ce \/ La Traviata, My Brothers and I, Yohan Manca, \u0393\u03b1\u03bb\u03bb\u03af\u03b1 \/ France, 108′, 2021<\/p>\n\n\n\n

A wonderful film that offers a fresh and powerful look at children's need to find their own path and resist a prescribed course.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u03a3\u039a\u0397\u039d\u039f\u0398\u0395\u03a3\u0399\u0391\u03a3 \u03a4\u0391\u0399\u039d\u0399\u0391\u03a3 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST FEATURE FILM DIRECTION<\/strong><\/p>\n\n\n\n

\u039b\u03b5\u03c5\u03ba\u03cc \u039a\u03c4\u03af\u03c1\u03b9\u03bf \/ White Building, Kavich Neang, \u039a\u03b1\u03bc\u03c0\u03cc\u03c4\u03b6\u03b7-\u0393\u03b1\u03bb\u03bb\u03af\u03b1-\u039a\u03af\u03bd\u03b1-\u039a\u03b1\u03c4\u03ac\u03c1 \/ Cambodia-France-China-Qatar, 90\u2032, 2021<\/p>\n\n\n\n

The effective and conscious direction concisely articulates the different levels of the deep crisis that plagues young people.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u03a3\u0395\u039d\u0391\u03a1\u0399\u039f\u03a5 \u03a4\u0391\u0399\u039d\u0399\u0391\u03a3 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST FEATURE FILM SCREENPLAY<\/strong><\/p>\n\n\n\n

\u039c\u03b9\u03b1 \u03b4\u03b5\u03cd\u03c4\u03b5\u03c1\u03b7 \u03b6\u03c9\u03ae \/ A Second Life, Anis Lassoued, \u03a4\u03c5\u03bd\u03b7\u03c3\u03af\u03b1 \/Tunisia, 93′, 2021<\/p>\n\n\n\n

The film strikes a delicate balance on a difficult subject with honesty and humanity.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u0395\u03a1\u039c\u0397\u039d\u0395\u0399\u0391\u03a3 \u03a0\u0391\u0399\u0394\u0399\u039f\u03a5 \u03a3\u0395 \u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST CHILD\u2019S PERFORMANCE IN A FEATURE FILM<\/strong><\/p>\n\n\n\n

Loti Kovavic \u03b3\u03b9\u03b1 \u03c4\u03bf \u039c\u03cc\u03b3\u03b9\u03b1 \u0392\u03ad\u03c3\u03bd\u03b1 \/ Moja Vesna, Sara Kern, \u03a3\u03bb\u03bf\u03b2\u03b5\u03bd\u03af\u03b1-\u0391\u03c5\u03c3\u03c4\u03c1\u03b1\u03bb\u03af\u03b1 \/ Slovenia-Australia, 81\u2032, 2022<\/p>\n\n\n\n

A heart-rending performance, giving in a subtle way a whole range of emotions.<\/p>\n\n\n\n

\u0395\u0399\u0394\u0399\u039a\u0397 \u039c\u039d\u0395\u0399\u0391 \/ SPECIAL MENTION<\/strong><\/p>\n\n\n\n

\u0389\u03bb\u03b9\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03ba\u03cc\u03c1\u03b7 \/ Sun and daughter, Catalina Razzini, \u0392\u03bf\u03bb\u03b9\u03b2\u03af\u03b1 \/ Bolivia, 84′, 2021<\/p>\n\n\n\n

For presenting the universal story of a powerful girl in the environment of a unique culture.<\/p>\n\n\n\n

SHORT FICTION FILM JURY<\/h5>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u039a\u0391\u039b\u03a5\u03a4\u0395\u03a1\u0397\u03a3 \u03a4\u0391\u0399\u039d\u0399\u0391\u03a3 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \u039c\u03a5\u0398\u039f\u03a0\u039b\u0391\u03a3\u0399\u0391\u03a3<\/strong> \/ BEST SHORT FICTION FILM<\/strong><\/p>\n\n\n\n

\u0397 \u03ba\u03bf\u03c5\u03b2\u03ad\u03c1\u03c4\u03b1 \/ The Blanket, Teppo Airaksinen, \u03a6\u03b9\u03bd\u03bb\u03b1\u03bd\u03b4\u03af\u03b1 \/ Finland, 15′, 2021<\/p>\n\n\n\n

A film that manages to keep your tension during its course. It takes you to a very important historical event, seen through the eyes of a hardworking and strong girl.<\/p>\n\n\n\n

SHORT ANIMATION FILM JURY<\/h5>\n\n\n\n

Rationale<\/strong><\/p>\n\n\n\n

Homer, today, lives in Pyrgos. And he invites us on a journey where each short film is an island. Islands where monsters and fairies, gods and mermaids live. Where we live adventures, our legs tremble with fear and we marvel at the immense human capacity to imagine the impossible. Being lucky enough to experience this journey from movie to movie is an immeasurable privilege. So much so, that unlike Ulysses who dreamed of returning home, we would stay sailing forever.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u039a\u0391\u039b\u03a5\u03a4\u0395\u03a1\u0397\u03a3 \u03a4\u0391\u0399\u039d\u0399\u0391\u03a3 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 ANIMATION<\/strong> \/ BEST ANIMATED SHORT FILM<\/strong><\/p>\n\n\n\n

\u039b\u03bf\u03c5\u03b4\u03bf\u03b2\u03af\u03ba\u03bf\u03c2 \u03bf \u0391\u2019, \u0392\u03b1\u03c3\u03b9\u03bb\u03b5\u03cd\u03c2 \u03c4\u03c9\u03bd \u03b1\u03bc\u03bd\u03ce\u03bd \/ Louis I., King of the Sheep, Markus Wulf, \u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \/ Germany, 9′, 2022<\/p>\n\n\n\n

A lucid, elegant and defiant naughty film, with an exquisite precision, where everything happens at the right time and with just the right measure. A necessary and up-to-date history lesson. A film for children, but not childish. The child's finger pointing out that the emperor is naked. Good cinema that demonstrates talent and intelligence, and that reminds us to beware of the wolf.<\/p>\n\n\n\n

KIDS & DOCS JURY<\/strong><\/h5>\n\n\n\n

Rationale<\/strong><\/p>\n\n\n\n

The Kids and Docs Jury had the opportunity to watch many wonderful films from very different contexts and countries, addressing relevant social issues but at the same time devoting a high attention to each character's personal life and gaze. The Jury decided to focus on films that would have one main point in common: the aim to recognise the protagonists' dignity, and to give them a strong voice to express their concerns as well as their dreams for the future, by approaching them without any prejudices.<\/p>\n\n\n\n

Other criteria the Jury followed were the visual qualities and the way the story develops throughout the films. The Kids and Docs Jury finally recognised the value of a multifaceted and insightful representation of inter-generational relationships in the films.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u039a\u0391\u039b\u03a5\u03a4\u0395\u03a1\u0397\u03a3 \u03a4\u0391\u0399\u039d\u0399\u0391\u03a3 \u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST FEATURE DOCUMENTARY<\/strong><\/p>\n\n\n\n

\u03a4\u03ad\u03bb\u03bf\u03c2 \u03c7\u03c1\u03cc\u03bd\u03bf\u03c5 \/ Final year, Lucas Paleocrassas, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \/ Greece, 74′, 2022<\/p>\n\n\n\n

For the courage of addressing without judgement a very important social and educational problem with empathy and impressive proximity with its characters by a promising young director.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u03a3\u039a\u0397\u039d\u039f\u0398\u0395\u03a3\u0399\u0391\u03a3 \u03a3\u0395 \u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST FEATURE DOCUMENTARY DIRECTOR<\/strong><\/p>\n\n\n\n

\u0391\u03bb\u03af\u03c2 \/ Alis, Clare Weiskopf & Nicol\u00e1s Van Hemelryck, \u039a\u03bf\u03bb\u03bf\u03bc\u03b2\u03af\u03b1-\u03a7\u03b9\u03bb\u03ae-\u03a1\u03bf\u03c5\u03bc\u03b1\u03bd\u03af\u03b1\/ Colombia-Chile-Romania, 84′, 2022<\/p>\n\n\n\n

For the strong concept and the commitment of the filmmaker to tell the stories of the protagonists respecting their personal points of view, exemplary use of the minimalistic fictional device to catch the authenticity and the essence of the characters.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \u039c\u0399\u039a\u03a1\u039f\u03a5 & \u039c\u0395\u03a3\u0391\u0399\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST SHORT & MEDIUM LENGTH DOCUMENTARY AWARD<\/strong><\/p>\n\n\n\n

\u03a0\u03b9\u03bf \u03c0\u03bf\u03bb\u03bb\u03ac \u03b1\u03c0\u2019 \u03cc\u03c3\u03b1 \u03b8\u03ad\u03bb\u03c9 \u03bd\u03b1 \u03b8\u03c5\u03bc\u03ac\u03bc\u03b1\u03b9 \/ More Than I Want To Remember, Amy Bench, \u0397\u03a0\u0391 \/ USA,15′, 2022<\/p>\n\n\n\n

For the authentic storytelling and beautiful narratives, for its creative cinematography that allows to raise awareness on a very relevant topic.<\/p>\n\n\n\n

\u0395\u0399\u0394\u0399\u039a\u0395\u03a3 \u039c\u039d\u0395\u0399\u0395\u03a3 \/ SPECIAL MENTIONS<\/strong><\/p>\n\n\n\n

\u0397 \u03a0\u03c1\u03ce\u03c4\u03b7 \u039a\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 \u03c4\u03b7\u03c2 \u03be\u03b1\u03b4\u03ad\u03c1\u03c6\u03b7\u03c2 \u03bc\u03bf\u03c5 \u0391\u03bd\u03c4\u03c1\u03ad\u03b1 \/ The Communion of My Cousin Andrea, Brand\u00e1n Cervi\u00f1o, \u0399\u03c3\u03c0\u03b1\u03bd\u03af\u03b1 \/ Spain,13′, 2021<\/p>\n\n\n\n

\u039a\u03c1\u03b9\u03ac\u03c1\u03b9 \/ Ramboy, Matthias Joulaud & Lucien Roux, \u0393\u03b1\u03bb\u03bb\u03af\u03b1 \/ France, 31′, 2022<\/p>\n\n\n\n

\u0395\u0399\u0394\u0399\u039a\u0391 \u0392\u03a1\u0391\u0392\u0395\u0399\u0391 \/ SPECIAL PRIZES<\/strong><\/h4>\n\n\n\n

\u201c#ThisisEU \u2013 \u0395\u03a5\u03a1\u03a9\u03a0\u0391\u03aa\u039a\u0395\u03a3 \u0391\u039e\u0399\u0395\u03a3 \/ EUROPEAN VALUES\u201d<\/strong><\/p>\n\n\n\n

\u0397 \u03a4\u03c1\u03b1\u03b2\u03b9\u03ac\u03c4\u03b1, \u03c4\u03b1 \u03b1\u03b4\u03ad\u03c1\u03c6\u03b9\u03b1 \u03bc\u03bf\u03c5 \u03ba\u03b9 \u03b5\u03b3\u03ce \/ La Traviata, My Brothers and I, Yohan Manca, \u0393\u03b1\u03bb\u03bb\u03af\u03b1 \/ France, 108′, 2021<\/p>\n\n\n\n

A film which fights with stereotypes and promotes culture against social exclusion.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u039f\u039a\u039b\u0395 \/ GREEK FILM CLUBS\u2019 ASSOCIATION AWARD<\/strong><\/p>\n\n\n\n

\u039c\u03b9\u03b1 \u03b4\u03b5\u03cd\u03c4\u03b5\u03c1\u03b7 \u03b6\u03c9\u03ae \/ A Second Life, Anis Lassoued, \u03a4\u03c5\u03bd\u03b7\u03c3\u03af\u03b1 \/Tunisia, 93′, 2021<\/p>\n\n\n\n

For the excellent dramaturgical elaboration of its shocking subject, the result of the intense social inequalities and poverty of a large part of the population, for the deep documenting of the vibrations of adolescence and the multiple consequences on the family from its abandonment by the father, for the narrative and directorial immediacy and sensitivity and for the riveting interpretation of the young protagonist.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u03a0\u0395\u039a\u039a \/ GREEK FILM CRITICS ASSOCIATION AWARD<\/strong><\/p>\n\n\n\n

\u039f \u03ac\u03bd\u03b5\u03bc\u03bf\u03c2 \u03c7\u03bf\u03c1\u03b5\u03cd\u03b5\u03b9 \u03c4\u03b1 \u03b6\u03b1\u03c7\u03b1\u03c1\u03bf\u03ba\u03ac\u03bb\u03b1\u03bc\u03b1 \/ The Wind that Shakes the Sugar Canes, Ebrahim Ashrafpour, \u0399\u03c1\u03ac\u03bd \/ Iran, 85′, 2022<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f \u03a4\u0397\u03a3 \u0392\u039f\u03a5\u039b\u0397\u03a3 \u03a4\u03a9\u039d \u0395\u039b\u039b\u0397\u039d\u03a9\u039d \u00ab\u0391\u039d\u0398\u03a1\u03a9\u03a0\u0399\u039d\u0395\u03a3 \u0391\u039e\u0399\u0395\u03a3\u00bb<\/strong> \/ HELLENIC PARLIAMENT \u201cHUMAN VALUES\u201d AWARD<\/strong><\/p>\n\n\n\n

\u039c\u03b9\u03b1 \u03b4\u03b5\u03cd\u03c4\u03b5\u03c1\u03b7 \u03b6\u03c9\u03ae \/ A Second Life, Anis Lassoued, \u03a4\u03c5\u03bd\u03b7\u03c3\u03af\u03b1 \/Tunisia, 93′, 2021<\/p>\n\n\n\n

To a film of the international competition program that in an environment of paternal absence, extreme poverty, delinquency and great social inequality, approaches in terms of modern tragedy the extreme choice of a mother to sacrifice her son's kidney, while at the same time highlighting the redemptive power of friendship and brotherhood.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f CIFEJ \/ CIFEJ PRIZE<\/strong><\/p>\n\n\n\n

\u039c\u03b9\u03b1 \u03b4\u03b5\u03cd\u03c4\u03b5\u03c1\u03b7 \u03b6\u03c9\u03ae \/ A Second Life, Anis Lassoued, \u03a4\u03c5\u03bd\u03b7\u03c3\u03af\u03b1 \/Tunisia, 93′, 2021<\/p>\n\n\n\n

The film addressed a Global contemporary socio-economic tragedy that marginalized families resulting in the violation of children\u2019s and youth\u2019s basic human rights. This issue is presented with well scripted narrative and an excellent central performance that is entwined with delicate symbolic contrasts.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f ECFA \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \/ ECFA FEATURE FILM AWARD<\/strong><\/p>\n\n\n\n

\u039c\u03b1\u03c7\u03b7\u03c4\u03ae\u03c2 \/ Bigman, Camiel Schouwenaar, \u039f\u03bb\u03bb\u03b1\u03bd\u03b4\u03af\u03b1-\u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \/ Netherlands-Germany, 90′, 2022<\/p>\n\n\n\n

An enjoyable film, which is presented in a child\u2019s view point and promotes the values of inclusion, self-development, solidarity and diversity.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f ECFA \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \/ ECFA SHORT FILM AWARD<\/strong><\/p>\n\n\n\n

\u03a8\u03b7\u03bb\u03ac \u03c4\u03bf \u03ba\u03b5\u03c6\u03ac\u03bb\u03b9 \/ The Right Words, Adrian Moyse Dullin, \u0393\u03b1\u03bb\u03bb\u03af\u03b1 \/ France, 15′, 2021<\/p>\n\n\n\n

\u039c\u03b9\u03b1 \u03c4\u03b1\u03b9\u03bd\u03af\u03b1 \u03cc\u03c0\u03bf\u03c5 \u03bf\u03b9 \u03b6\u03c9\u03ad\u03c2, \u03bf\u03b9 \u03b5\u03bb\u03c0\u03af\u03b4\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b7 \u03c0\u03c1\u03ce\u03c4\u03b7 \u03b1\u03b3\u03ac\u03c0\u03b7 \u03b6\u03c9\u03bd\u03c4\u03b1\u03bd\u03b5\u03cd\u03bf\u03c5\u03bd \u03bc\u03b5 \u03b1\u03c5\u03b8\u03cc\u03c1\u03bc\u03b7\u03c4\u03b7 \u03ba\u03b1\u03b9 \u03b1\u03c0\u03bf\u03c4\u03b5\u03bb\u03b5\u03c3\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03b3\u03bb\u03ce\u03c3\u03c3\u03b1 \u03c0\u03bf\u03c5 \u03bc\u03b1\u03c2 \u03ba\u03ac\u03bd\u03b5\u03b9 \u03bd\u03b1 \u03ba\u03b9\u03bd\u03bf\u03cd\u03bc\u03b1\u03c3\u03c4\u03b5 \u03bc\u03b5\u03c4\u03b1\u03be\u03cd \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03b6\u03c9\u03ae\u03c2.<\/p>\n\n\n\n

\u0392\u03a1\u0391\u0392\u0395\u0399\u039f ECFA \u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \/ ECFA DOCUMENTARY AWARD<\/strong><\/p>\n\n\n\n

\u03a4\u03b1 \u03bd\u03b5\u03c1\u03ac \u03c4\u03bf\u03c5 \u03a0\u03b1\u03c3\u03c4\u03ac\u03c3\u03b1 \/ Waters of Pastaza, In\u00eas T. Alves, \u03a0\u03bf\u03c1\u03c4\u03bf\u03b3\u03b1\u03bb\u03af\u03b1 \/ Portugal, 61′, 2022<\/p>\n\n\n\n

This film guides us in a fairy-tale world, an Eden on Earth ruled by children and their playfulness, skills and inventiveness, which we discover together with them on a journey to each ones\u2019 childhood.<\/p>\n\n\n\n

\u039a\u03a1\u0399\u03a4\u0399\u039a\u0395\u03a3 \u0395\u03a0\u0399\u03a4\u03a1\u039f\u03a0\u0395\u03a3 \u03a0\u0391\u0399\u0394\u0399\u03a9\u039d \u0395\u03a9\u03a3 12 \u0395\u03a4\u03a9\u039d<\/strong> \/ CHILDREN\u2019S JURIES UP TO 12 YEARS OLD<\/strong><\/p>\n\n\n\n

\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \/ BEST FEATURE FILM<\/strong><\/p>\n\n\n\n

\u039c\u03b1\u03c7\u03b7\u03c4\u03ae\u03c2 \/ Bigman, Camiel Schouwenaar, \u039f\u03bb\u03bb\u03b1\u03bd\u03b4\u03af\u03b1-\u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \/ Netherlands-Germany, 90′, 2022<\/p>\n\n\n\n

\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \u039c\u03a5\u0398\u039f\u03a0\u039b\u0391\u03a3\u0399\u0391\u03a3 \/ SHORT FICTION FILM<\/strong><\/p>\n\n\n\n

\u039f\u03c1\u03ba\u03af\u03c3\u03bf\u03c5 \/ Cross Your Heart, Nikolaj Storgaard Mortensen, \u0394\u03b1\u03bd\u03af\u03b1 \/ Denmark, 15′, 2021<\/p>\n\n\n\n

It is a film inspired from real life dealing with the issue of drugs. It had deep feelings and touched on the subject of love between two brothers. It also showed how the same pain is experienced by three different \"ages\". Well shot with nice shots, good cinematography and music suited for a children's film. And all this made us cry in the end.<\/p>\n\n\n\n

\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 ANIMATION \/ BEST ANIMATION<\/strong><\/p>\n\n\n\n

\u0392\u03b1\u03b4\u03af\u03b6\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c3\u03c4\u03bf\u03bd \u03ac\u03bd\u03b5\u03bc\u03bf \/ Footsteps on the wind, Maya Sanbar, Gustavo Leal & Faga Melo, \u0397\u03a0\u0391-\u0392\u03c1\u03b1\u03b6\u03b9\u03bb\u03af\u03b1-\u0397\u03bd\u03c9\u03bc\u03ad\u03bd\u03bf \u0392\u03b1\u03c3\u03af\u03bb\u03b5\u03b9\u03bf \/ USA-Brazil-UK, 8′, 2021<\/p>\n\n\n\n

The film discusses the issue of refugees in a very special and touching way, and its beautiful graphics and wonderful music help in this. We chose it because it conveys the message that even the biggest difficulties can be overcome and the family, no matter how far away, always acts like a guardian angel!<\/p>\n\n\n\n

\u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \/ FEATURE DOCUMENTARY<\/strong><\/p>\n\n\n\n

\u039f \u039a\u03b1\u03c1\u03b1\u03b3\u03ba\u03b9\u03bf\u03b6\u03bf\u03c0\u03b1\u03af\u03c7\u03c4\u03b7\u03c2 \u03c4\u03b7\u03c2 \u039d\u03b9\u03cc\u03bd \/ Nion’s Shadow Puppeteer, Irina Boiko, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \/ Greece, 74′, 2022<\/p>\n\n\n\n

\u0392ecause we were touched by George's journey to achieve his dream, by his personality that spreads laughter and joy, the mutual support of the family and the very humor that the film had.<\/p>\n\n\n\n

\u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \u039c\u0399\u039a\u03a1\u039f\u03a5\/\u039c\u0395\u03a3\u0391\u0399\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong> \/ BEST SHORT\/ MEDIUM LENGTH DOCUMENTARY<\/strong><\/p>\n\n\n\n

\u039d\u03b5\u03c1\u03cc, \u0391\u03ad\u03c1\u03b1\u03c2, \u03a3\u03ba\u03cc\u03bd\u03b7, \u03a8\u03c9\u03bc\u03af \/ Water, Wind, Dust, Bread, Mahdi Zamanpoor Kiasar, \u0399\u03c1\u03ac\u03bd \/ Iran, 25′, 2021<\/p>\n\n\n\n

For Abolfazl's strength to carry on with his life fully and his willingness to defy problems, to be kind and a good friend and for the way of life he introduced us to in this faraway place.<\/p>\n\n\n\n

\u039a\u03a1\u0399\u03a4\u0399\u039a\u0395\u03a3 \u0395\u03a0\u0399\u03a4\u03a1\u039f\u03a0\u0395\u03a3 \u03a0\u0391\u0399\u0394\u0399\u03a9\u039d \u0391\u039d\u03a9 \u03a4\u03a9\u039d 13 \u0395\u03a4\u03a9\u039d<\/strong> \/ CHILDREN\u2019S JURIES OVER 13 YEARS OLD<\/strong><\/p>\n\n\n\n

\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \/ BEST FEATURE FILM<\/strong><\/p>\n\n\n\n

\u0397 \u03a4\u03c1\u03b1\u03b2\u03b9\u03ac\u03c4\u03b1, \u03c4\u03b1 \u03b1\u03b4\u03ad\u03c1\u03c6\u03b9\u03b1 \u03bc\u03bf\u03c5 \u03ba\u03b9 \u03b5\u03b3\u03ce \/ La Traviata, My Brothers and I, Yohan Manca, \u0393\u03b1\u03bb\u03bb\u03af\u03b1 \/ France, 108′, 2021<\/p>\n\n\n\n

\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 ANIMATION \/ BEST ANIMATION<\/strong><\/p>\n\n\n\n

Cat Postale, Zacharias Mavroeidis, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \/ Greece, 9′, 2022<\/p>\n\n\n\n

We had excellent films, and it was a difficult choice. By a very small divergence we singled out Cat Postale for its graphics and nice way of storytelling, but mostly for the message that in our life's journey it is not just about chasing a goal, but about believing that no matter what happens, we will make it and be fine!<\/p>\n\n\n\n

<\/strong>\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \u039c\u03a5\u0398\u039f\u03a0\u039b\u0391\u03a3\u0399\u0391\u03a3 \/ SHORT FICTION FILM<\/strong><\/p>\n\n\n\n

\u0391\u03bd\u03b1\u03bc\u03bd\u03ae\u03c3\u03b5\u03b9\u03c2 \u03bc\u03b9\u03b1\u03c2 \u03b5\u03c6\u03b7\u03b2\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03c4\u03b1\u03b9\u03b3\u03af\u03b4\u03b1\u03c2 \/ Memoir of a Veering Storm, Sofia Georgovassili, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \/ Greece,14′, 2022<\/p>\n\n\n\n

It is a film that raises the issue of a teenage girl who has to take on the responsibilities of an adult. It is well shot with apt transitions from allegory to harsh reality. With his scenes, he makes the viewer experience the emotional charge of a sensitive subject without prejudices. Because \"storms\" are not just those they talking in the news about.<\/p>\n\n\n\n

\u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \/ FEATURE DOCUMENTARY<\/strong><\/p>\n\n\n\n

\u039a\u03ac\u03bb\u03b5, \u03bf \u039a\u03bf\u03c3\u03bc\u03bf\u03bd\u03b1\u03cd\u03c4\u03b7\u03c2 \/ Kalle Kosmonaut, Tine Kugler & G\u00fcnther Kurth, \u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \/ Germany, 99′, 2022<\/p>\n\n\n\n

Because we had the opportunity to follow the the character's growth over the years and his strength to continue, despite the difficulties and we recognized issues and situations that we are familiar with and that concern people of our age.<\/p>\n\n\n\n

\u039d\u03a4\u039f\u039a\u0399\u039c\u0391\u039d\u03a4\u0395\u03a1 \u039c\u0399\u039a\u03a1\u039f\u03a5\/\u039c\u0395\u03a3\u0391\u0399\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3<\/strong><\/p>\n\n\n\n

BEST SHORT\/ MEDIUM LENGTH DOCUMENTARY<\/strong><\/p>\n\n\n\n

\u0395\u03ba\u03b5\u03af \u03ad\u03be\u03c9 \/ Out there, Sebastian Hill-Esbrand, \u039a\u03b1\u03bd\u03b1\u03b4\u03ac\u03c2 \/ Canada, 13′, 2021<\/p>\n\n\n\n

For the courage and optimism given by the development of the protagonist's life and the beautiful images.<\/p>\n\n\n\n

\u0394\u0399\u0395\u0398\u039d\u0397\u03a3 \u0395\u03a0\u0399\u03a4\u03a1\u039f\u03a0\u0397 \u039d\u0395\u03a9\u039d \/ YOUTH JURY<\/strong><\/p>\n\n\n\n

\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 ANIMATION \/ BEST ANIMATION<\/strong><\/p>\n\n\n\n

\u0393\u03c1\u03ac\u03bc\u03bc\u03b1 \u03c3\u2019 \u03ad\u03bd\u03b1 \u03b3\u03bf\u03c5\u03c1\u03bf\u03cd\u03bd\u03b9 \/ Letter to A Pig, Tal Kantor, \u0393\u03b1\u03bb\u03bb\u03af\u03b1-\u0399\u03c3\u03c1\u03b1\u03ae\u03bb \/ France-Israel, 17′, 2022<\/p>\n\n\n\n

We chose the film \"Letter to a pig\" for the really good written script and the outstanding visual animation of the characters, through which the film makes the story of Holocaust survivors tangible for the young audience.<\/p>\n\n\n\n

\u03a4\u0391\u0399\u039d\u0399\u0391 \u039c\u0399\u039a\u03a1\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \u039c\u03a5\u0398\u039f\u03a0\u039b\u0391\u03a3\u0399\u0391\u03a3 \/ SHORT FICTION FILM<\/strong><\/p>\n\n\n\n

\u0395\u03c4\u03bf\u03b9\u03bc\u03cc\u03c1\u03c1\u03bf\u03c0\u03bf \/ Loose, Paula Skelin, \u039a\u03c1\u03bf\u03b1\u03c4\u03af\u03b1 \/ Croatia, 19′, 2021<\/p>\n\n\n\n

\u0394\u03b9\u03b1\u03bb\u03ad\u03be\u03b1\u03bc\u03b5 \u03c4\u03b7\u03bd \u03c4\u03b1\u03b9\u03bd\u03af\u03b1 \u03b3\u03b9\u03b1\u03c4\u03af \u03b1\u03c6\u03b7\u03b3\u03b5\u03af\u03c4\u03b1\u03b9 \u03c4\u03b7\u03bd \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03b5\u03bd\u03cc\u03c2 \u03b3\u03b5\u03bd\u03bd\u03b1\u03af\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03af\u03bc\u03bf\u03bd\u03bf\u03c5 \u03bd\u03b5\u03b1\u03c1\u03bf\u03cd \u03ba\u03bf\u03c1\u03b9\u03c4\u03c3\u03b9\u03bf\u03cd \u03c0\u03bf\u03c5 \u03b4\u03b5\u03bd \u03b8\u03b1 \u03b1\u03c6\u03ae\u03c3\u03b5\u03b9 \u03c4\u03b7 \u03b4\u03cd\u03c3\u03ba\u03bf\u03bb\u03b7 \u03ba\u03b1\u03c4\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03b6\u03c9\u03ae\u03c2 \u03c4\u03b7\u03c2 \u03bd\u03b1 \u03c4\u03b7\u03bd \u03b1\u03c0\u03bf\u03b8\u03b1\u03c1\u03c1\u03cd\u03bd\u03b5\u03b9. \u0397 \u03c4\u03b1\u03b9\u03bd\u03af\u03b1 \u03be\u03b5\u03c7\u03c9\u03c1\u03af\u03b6\u03b5\u03b9 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03c5\u03c2 \u03ba\u03b1\u03bb\u03bf\u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03ad\u03bd\u03bf\u03c5\u03c2 \u03c7\u03b1\u03c1\u03b1\u03ba\u03c4\u03ae\u03c1\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03b5\u03ba\u03c0\u03bb\u03b7\u03ba\u03c4\u03b9\u03ba\u03ae \u03b5\u03c1\u03bc\u03b7\u03bd\u03b5\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c0\u03c1\u03c9\u03c4\u03b1\u03b3\u03c9\u03bd\u03af\u03c3\u03c4\u03c1\u03b9\u03b1\u03c2.<\/p>\n\n\n\n

<\/p>\n\n\n\n

22\u03b7 CAMERA ZIZANIO<\/h1>\n\n\n\n

\u0395\u039b\u039b\u0397\u039d\u0399\u039a\u039f \u03a4\u039c\u0397\u039c\u0391 \/ GREEK SECTION<\/strong><\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 4-12<\/strong><\/p>\n\n\n\n

1\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 1st Award:<\/em><\/em><\/p>\n\n\n\n

Avanti Maestro<\/p>\n\n\n\n

2o \u0394\u03b7\u03bc. \u03a3\u03c7\u03bf\u03bb\u03b5\u03af\u03bf \u03a1\u03cc\u03b4\u03bf\u03c5 \/ 2nd Primary School of Rhodes<\/p>\n\n\n\n

2o \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf\/ 2nd Award:<\/em><\/em><\/p>\n\n\n\n

\u039d\u03cc\u03c3\u03c4\u03b9\u03bc\u03b7 \u0393\u03b7 \/ Tasty Land<\/p>\n\n\n\n

3\u03bf \u0394\u03b7\u03bc. \u03a3\u03c7\u03bf\u03bb\u03b5\u03af\u03bf \u03a0\u03bb\u03c9\u03bc\u03b1\u03c1\u03af\u03bf\u03c5 \/ 3rd Primary School of Plomari<\/p>\n\n\n\n

3\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 3rd Award:<\/em><\/p>\n\n\n\n

\u0388\u03bd\u03b1 \u039c\u03ae\u03bd\u03c5\u03bc\u03b1 \u03b1\u03c0\u03cc \u03c4\u03bf \u03c0\u03b1\u03c1\u03b5\u03bb\u03b8\u03cc\u03bd \/ A message from the past<\/p>\n\n\n\n

\u039f\u03bc\u03ac\u03b4\u03b1 Holarwood \u03a3\u03c5\u03bb\u03bb\u03cc\u03b3\u03bf\u03c5 \u0393\u03bf\u03bd\u03ad\u03c9\u03bd 5\u03bf\u03c5 \u0394\u03b7\u03bc\u03bf\u03c4\u03b9\u03ba\u03bf\u03cd \u03a3\u03c7\u03bf\u03bb\u03b5\u03af\u03bf\u03c5 \u03a7\u03bf\u03bb\u03b1\u03c1\u03b3\u03bf\u03cd \/ \u201cHolarwood\u201d Film Group<\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 13-16<\/strong><\/p>\n\n\n\n

1\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 1st Award:<\/em><\/em><\/p>\n\n\n\n

\u039c\u03c0\u03bf\u03c1\u03b5\u03af\u03c2 \u03ba\u03b9 \u03b5\u03c3\u03cd \/ You can do it<\/p>\n\n\n\n

4\u03bf \u0393\u03c5\u03bc\u03bd\u03ac\u03c3\u03b9\u03bf \u0391\u03bb\u03b5\u03be\u03b1\u03bd\u03b4\u03c1\u03bf\u03cd\u03c0\u03bf\u03bb\u03b7\u03c2 \u201c\u0398. \u039a\u03b1\u03c3\u03c4\u03b1\u03bd\u03cc\u03c2\u201d<\/p>\n\n\n\n

4th High School of Alexandroupolis \u201cTh. Kastanos\u201d<\/p>\n\n\n\n

2\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 2nd Award:<\/em><\/em><\/p>\n\n\n\n

The ball is mine > \u03a0\u03ac\u03bc\u03c0\u03bb\u03bf \u03a3\u03cc\u03c4\u03bf \/ Pablo Soto<\/p>\n\n\n\n

3\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 3rd Award:<\/em><\/em><\/p>\n\n\n\n

\u039c\u03ae\u03bd\u03c5\u03bc\u03b1 \u03ad\u03c3\u03c4\u03b5\u03b9\u03bb\u03b5\u03c2; \/ Did you send an SMS?<\/p>\n\n\n\n

\u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03cc\u03c2 \u038c\u03bc\u03b9\u03bb\u03bf\u03c2 \u03c4\u03bf\u03c5 \u03a0\u03c1\u03cc\u03c4\u03c5\u03c0\u03bf\u03c5 \u0393\u0395\u039b \u0395\u03c5\u03b1\u03b3\u03b3\u03b5\u03bb\u03b9\u03ba\u03ae\u03c2 \u03a3\u03c7\u03bf\u03bb\u03ae\u03c2 \u03a3\u03bc\u03cd\u03c1\u03bd\u03b7\u03c2 \/ Film Club of Evangeliki<\/p>\n\n\n\n

Modern High School of Nea Smirni<\/p>\n\n\n\n

\u03a6\u03bf\u03af\u03b2\u03bf\u03c2 \/ Foivos<\/p>\n\n\n\n

3\u03bf \u0393\u03c5\u03bc\u03bd\u03ac\u03c3\u03b9\u03bf \u0397\u03b3\u03bf\u03c5\u03bc\u03b5\u03bd\u03af\u03c4\u03c3\u03b1\u03c2 \/ 3rd High School of Igoumenitsa<\/p>\n\n\n\n

\u0395\u03b9\u03b4\u03b9\u03ba\u03ae \u039c\u03bd\u03b5\u03af\u03b1 \/ Special Mention:<\/em><\/em><\/p>\n\n\n\n

\u0394\u03b5\u03bd \u039c\u03b9\u03bb\u03bf\u03cd\u03bd \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u039c\u03ac\u03bd\u03bf \/ They don’t talk about Manos<\/p>\n\n\n\n

\u039c\u03ac\u03be\u03b9\u03bc\u03bf\u03c2 \u0391\u03bb\u03b5\u03be\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2 \/ Maximos Alexopoulos<\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 17-20<\/strong><\/p>\n\n\n\n

1\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 1st Award: <\/em>En garde<\/p>\n\n\n\n

2\u03bf \u03a0\u03c1\u03cc\u03c4\u03c5\u03c0\u03bf \u0393\u0395\u039b \u0391\u03b8\u03ae\u03bd\u03b1\u03c2 \/ 2nd General Lyceum of Athens<\/p>\n\n\n\n

2\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 2nd Award: <\/em>\u03a6\u03bf \u039c\u03c0\u03b9\u03b6\u03bf\u03cd<\/p>\n\n\n\n

1\u03bf \u0393\u0395\u039b \u039a\u03b5\u03c1\u03b1\u03c4\u03c3\u03b9\u03bd\u03af\u03bf\u03c5 \/ 1st General Lyceum of Keratsini<\/p>\n\n\n\n

3\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 3rd Award: <\/em>Quest-ce que c\u2019 est Couscous\u00e9?<\/p>\n\n\n\n

\u039b\u03cd\u03ba\u03b5\u03b9\u03bf \u0391\u03bd\u03b4\u03c1\u03b1\u03b2\u03af\u03b4\u03b1\u03c2 \/ Andravida Lyceum<\/p>\n\n\n\n

\u0395\u03b9\u03b4\u03b9\u03ba\u03ad\u03c2 \u039c\u03bd\u03b5\u03af\u03b5\u03c2 \/ Special Mentions:<\/em><\/p>\n\n\n\n

\u0394\u03c5\u03c3\u03bb3\u03be\u03af\u03b1 \/ Dysl3xia<\/p>\n\n\n\n

4\u03bf \u03a0\u03b5\u03b9\u03c1\u03b1\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc \u0393\u0395\u039b \u03a4\u03c1\u03b9\u03ba\u03ac\u03bb\u03c9\u03bd \u201c\u0391\u03bb\u03ad\u03be\u03b1\u03bd\u03b4\u03c1\u03bf\u03c2 \u03a0\u03b1\u03c0\u03b1\u03b4\u03b9\u03b1\u03bc\u03ac\u03bd\u03c4\u03b7\u03c2\u201d<\/p>\n\n\n\n

4th Experimental General Lyceum of Trikala<\/p>\n\n\n\n

Home Sweet Home > \u039b\u03ac\u03b6\u03b1\u03c1\u03bf\u03c2 \u039c\u03c5\u03bb\u03c9\u03bd\u03ac\u03c2 \/ Lazaros Mylonas<\/p>\n\n\n\n

\u0395\u0399\u0394\u0399\u039a\u0391 \u0392\u03a1\u0391\u0392\u0395\u0399\u0391 \/ SPECIAL AWARDS<\/strong><\/p>\n\n\n\n

\u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \u0395\u03ba\u03c0\u03b1\u03b9\u03b4\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u03a1\u03b1\u03b4\u03b9\u03bf\u03c4\u03b7\u03bb\u03b5\u03cc\u03c1\u03b1\u03c3\u03b7\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u0395\u03b3\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03cc \u03c3\u03c4\u03b1 \u039c\u03ad\u03c3\u03b1 \/ Media Literacy Award:<\/em><\/em><\/p>\n\n\n\n

\u0393\u03b5\u03bd\u03b9\u03ba\u03cc \u039b\u03cd\u03ba\u03b5\u03b9\u03bf \u0392\u03b1\u03c1\u03b8\u03bf\u03bb\u03bf\u03bc\u03b9\u03bf\u03cd \/ General Lyceum of Vartholomio<\/p>\n\n\n\n

Award of the Greek Ombudswoman for Children\u2019s rights<\/em><\/p>\n\n\n\n

Children’s Rights Award by the Greek Ombudsman:<\/em><\/p>\n\n\n\n

\u03a6\u03bf\u03af\u03b2\u03bf\u03c2 \/ Foivos<\/p>\n\n\n\n

3\u03bf \u0393\u03c5\u03bc\u03bd\u03ac\u03c3\u03b9\u03bf \u0397\u03b3\u03bf\u03c5\u03bc\u03b5\u03bd\u03af\u03c4\u03c3\u03b1\u03c2 \/ 3rd High School of Igoumenitsa<\/p>\n\n\n\n

Award of Nikos Kavoukidis<\/em> \u0391\u03c1\u03c3\u03ac\u03ba\u03b5\u03b9\u03bf \u039b\u03cd\u03ba\u03b5\u03b9\u03bf \u03a0\u03ac\u03c4\u03c1\u03b1\u03c2<\/p>\n\n\n\n

Nikos Kavoukidis Award:<\/em> Arsakeio Lyceum of Patra<\/p>\n\n\n\n

\u0395\u03a5\u03a1\u03a9\u03a0\u0391\u03aa\u039a\u039f \u03a4\u039c\u0397\u039c\u0391 \/ EUROPEAN SECTION<\/strong><\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 4-12<\/strong><\/p>\n\n\n\n

1\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 1st Award:<\/em><\/p>\n\n\n\n

Diversity Rescues \/ \u0397 \u03b4\u03b9\u03b1\u03c6\u03bf\u03c1\u03b5\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c3\u03ce\u03b6\u03b5\u03b9<\/p>\n\n\n\n

Bruna Ben\u010di\u0107, Ivor Ben\u010di\u0107 (FKVK)- Croatia \/ \u039a\u03c1\u03bf\u03b1\u03c4\u03af\u03b1<\/p>\n\n\n\n

2\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 2nd Award:<\/em><\/p>\n\n\n\n

I wish \/ \u0395\u03cd\u03c7\u03bf\u03bc\u03b1\u03b9…<\/p>\n\n\n\n

\u0395lementary school in Tennenbronn – Germany \/ \u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1<\/p>\n\n\n\n

3\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 3rd Award:<\/em><\/p>\n\n\n\n

\u03a4he sweet taste of victory \/ \u0397 \u03b3\u03bb\u03c5\u03ba\u03b9\u03ac \u03b3\u03b5\u03cd\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03bd\u03af\u03ba\u03b7\u03c2<\/p>\n\n\n\n

Predrag Vukosavljevic – Serbia \/ \u03a3\u03b5\u03c1\u03b2\u03af\u03b1<\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 13-16<\/strong><\/p>\n\n\n\n

1\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 1st Award:<\/em><\/p>\n\n\n\n

Velas \/ \u039a\u03b5\u03c1\u03b9\u03ac<\/p>\n\n\n\n

Pablo Iranzo Pineda – Spain \/ \u0399\u03c3\u03c0\u03b1\u03bd\u03af\u03b1<\/p>\n\n\n\n

2\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 2nd Award:<\/em><\/p>\n\n\n\n

The last walk \/ \u039f \u03a4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03c2 \u03a0\u03b5\u03c1\u03af\u03c0\u03b1\u03c4\u03bf\u03c2<\/p>\n\n\n\n

Levi Numann (NFFS) – The Netherlands \/ \u039f\u03bb\u03bb\u03b1\u03bd\u03b4\u03af\u03b1<\/p>\n\n\n\n

3\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 3rd Award:<\/em><\/p>\n\n\n\n

Patisserie<\/p>\n\n\n\n

Art School of Gerakas – Greece<\/p>\n\n\n\n

\u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03cc \u03a3\u03c7\u03bf\u03bb\u03b5\u03af\u03bf \u0393\u03ad\u03c1\u03b1\u03ba\u03b1 – \u0395\u03bb\u03bb\u03ac\u03b4\u03b1<\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 17-20<\/strong><\/p>\n\n\n\n

1\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 1st Award:<\/em><\/p>\n\n\n\n

Ma colors \/ \u0397 \u03c0\u03b1\u03bb\u03ad\u03c4\u03b1 \u03c7\u03c1\u03c9\u03bc\u03ac\u03c4\u03c9\u03bd<\/p>\n\n\n\n

Sophia Kapshammer – Austria \/ \u0391\u03c5\u03c3\u03c4\u03c1\u03af\u03b1<\/p>\n\n\n\n

2\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 2nd Award:<\/em><\/p>\n\n\n\n

83% > Deni Bezdrob<\/p>\n\n\n\n

Bosnia & Herzegovina \/ \u0392\u03bf\u03c3\u03bd\u03af\u03b1 & \u0395\u03c1\u03b6\u03b5\u03b3\u03bf\u03b2\u03af\u03bd\u03b7<\/p>\n\n\n\n

3\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \/ 3rd Award:<\/em><\/p>\n\n\n\n

LGBT+ Representation In Media \/ LGBT+ \u0395\u03ba\u03c0\u03c1\u03bf\u03c3\u03ce\u03c0\u03b7\u03c3\u03b7 \u03c3\u03c4\u03b1 \u039c\u039c\u0395<\/p>\n\n\n\n

Xander Overwater (NFFS) – The Netherlands \/ \u039f\u03bb\u03bb\u03b1\u03bd\u03b4\u03af\u03b1<\/p>\n\n\n\n

\u0394\u0399\u0395\u0398\u039d\u0395\u03a3 \u03a4\u039c\u0397\u039c\u0391 \/ INTERNATIONAL SECTION<\/strong><\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 4-12<\/strong><\/p>\n\n\n\n

Our Days in Dongshi \/ \u039f\u03b9 \u03bc\u03ad\u03c1\u03b5\u03c2 \u03bc\u03b1\u03c2 \u03c3\u03c4\u03bf Dongshi<\/p>\n\n\n\n

Public Television Service Taiwan<\/p>\n\n\n\n

\u03a5\u03c0\u03b7\u03c1\u03b5\u03c3\u03af\u03b1 \u0394\u03b7\u03bc\u03cc\u03c3\u03b9\u03b1\u03c2 \u03a4\u03b7\u03bb\u03b5\u03cc\u03c1\u03b1\u03c3\u03b7\u03c2 \u03a4\u03b1\u03ca\u03b2\u03ac\u03bd<\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 13-16<\/strong><\/p>\n\n\n\n

\u0399roning Board \/ \u03a3\u03b9\u03b4\u03b5\u03c1\u03ce\u03c3\u03c4\u03c1\u03b1<\/p>\n\n\n\n

Justin Dawson – Australia \/ \u0391\u03c5\u03c3\u03c4\u03c1\u03b1\u03bb\u03af\u03b1<\/p>\n\n\n\n

\u0397\u039b\u0399\u039a\u0399\u0391 \/ AGE 17-20<\/strong><\/p>\n\n\n\n

Do it until I see you \/ \u039a\u03ac\u03bd\u03b5 \u03c4\u03bf \u03bc\u03ad\u03c7\u03c1\u03b9 \u03bd\u03b1 \u03c3\u03b5 \u03b4\u03c9<\/p>\n\n\n\n

Koussay Amri – Tunisia \/ \u03a4\u03c5\u03bd\u03b7\u03c3\u03af\u03b1<\/p>\n\n\n\n

The voice of silence \/ \u0397 \u03a6\u03c9\u03bd\u03ae \u03c4\u03b7\u03c2 \u03a3\u03b9\u03c9\u03c0\u03ae\u03c2<\/p>\n\n\n\n

Shelton College International – China \/ \u039a\u03af\u03bd\u03b1<\/p>","protected":false},"excerpt":{"rendered":"

\u0394\u0399\u0395\u0398\u039d\u0395\u0399\u03a3 \u039a\u03a1\u0399\u03a4\u0399\u039a\u0395\u03a3 \u0395\u03a0\u0399\u03a4\u03a1\u039f\u03a0\u0395\u03a3 \u039a\u03a1\u0399\u03a4\u0399\u039a\u0397 \u0395\u03a0\u0399\u03a4\u03a1\u039f\u03a0\u0397 \u03a4\u0391\u0399\u039d\u0399\u03a9\u039d \u039c\u0395\u0393\u0391\u039b\u039f\u03a5 \u039c\u0397\u039a\u039f\u03a5\u03a3 \u03a3\u03ba\u03b5\u03c0\u03c4\u03b9\u03ba\u03cc \u03a4\u03bf 25\u03bf \u0394\u03b9\u03b5\u03b8\u03bd\u03ad\u03c2 \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5 \u039f\u03bb\u03c5\u03bc\u03c0\u03af\u03b1\u03c2 \u03b3\u03b9\u03b1 \u03a0\u03b1\u03b9\u03b4\u03b9\u03ac \u03ba\u03b1\u03b9 \u039d\u03ad\u03bf\u03c5\u03c2 \u03bc\u03b1\u03c2 \u03c4\u03b1\u03be\u03af\u03b4\u03b5\u03c8\u03b5 \u03c3\u03b5 \u03ad\u03bd\u03b1\u03bd \u03c0\u03bb\u03bf\u03cd\u03c3\u03b9\u03bf \u03ba\u03cc\u03c3\u03bc\u03bf \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ae\u03c2 \u03b1\u03c0\u03cc\u03bb\u03b1\u03c5\u03c3\u03b7\u03c2, \u03c0\u03c1\u03bf\u03b2\u03bb\u03b7\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03bf\u03cd \u03ba\u03b1\u03b9 \u03c3\u03c5\u03b3\u03ba\u03af\u03bd\u03b7\u03c3\u03b7\u03c2. \u0395\u03af\u03b4\u03b1\u03bc\u03b5 \u03bc\u03b9\u03b1 \u03c0\u03bb\u03b7\u03b8\u03ce\u03c1\u03b1 \u03c4\u03b1\u03b9\u03bd\u03b9\u03ce\u03bd \u03b1\u03c0\u03cc \u03b4\u03b9\u03b1\u03c6\u03bf\u03c1\u03b5\u03c4\u03b9\u03ba\u03ac \u03bc\u03ad\u03c1\u03b7 \u03c4\u03bf\u03c5 \u03c0\u03bb\u03b1\u03bd\u03ae\u03c4\u03b7, \u03bc\u03b5 \u03c0\u03bf\u03b9\u03ba\u03af\u03bb\u03b1 \u03b8\u03ad\u03bc\u03b1\u03c4\u03b1, \u03c0\u03bf\u03c5 \u03c9\u03c3\u03c4\u03cc\u03c3\u03bf \u03b4\u03af\u03bd\u03bf\u03c5\u03bd \u03c4\u03bf \u03c3\u03c4\u03af\u03b3\u03bc\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03c3\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03cc \u03ba\u03cc\u03c3\u03bc\u03bf.\u039f\u03b9 \u03b4\u03ce\u03b4\u03b5\u03ba\u03b1 \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf\u03c5 \u03bc\u03ae\u03ba\u03bf\u03c5\u03c2 […]<\/p>\n","protected":false},"author":1,"featured_media":14599,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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